Pairs well with: Local, organic, micro-brewed cider. By the barrel!
Brutus rating: 2/10. Not many knives in the back, except maybe the overly enthusiastic claiming of barrels and buildings
If we were to sum up Above and Below with one word it would be ‘pleasant’. It’s fairly gentle (one to play with older kids), has minimal conflict, and is just rather nice all round. It combines many of the neat bits of town-building worker-placement games with the bonus of extra roleplay scenarios (we totally love a bit of extra roleplay!). Instead of a humiliating scrabble to feed your family (such as in Agricola) there’s a considerably less desperate scrabble to make sure everyone gets a bed for the evening, or they won’t be nice and rested for the next day to carry on work. And the game even scales down well for two players!
The setting is gentle fantasy – after being unceremoniously ousted from your home, your family settles in a new land and proceeds to build a nice village. Each player has a separate family, making the game a little too insular for some (you’d have a hard time ruining someone else’s play time), though there are some shared and limited resources like buildings which drive the competition. Hire workers, build houses, harvest resources. All pretty straightforward.
Beds, oddly, are the main resource you need to keep an eye on, as they only come with certain buildings. Pretty sensible, really. In your village there’s none of this bullshit you see in documentaries about rural settings with poor working conditions and sleeping on hay on the floor. In Above and Below, the workers get their very own double-bed with proper sheets and an excellent mattress. Cushty stuff. Don’t say I don’t treat you well, workers.
No cushty bed? No work the next day. Pretty amazing employment rights. This even goes for
people who don’t get a bed two days in a row. You’d think they’d have just spent the day lazing around in other people’s beds, while everyone else is adventuring, building, working. But if they do then they keep pretty quiet about it, and continue to remain too tired to work until they finally get a shot in a proper bed.
The one exception to the rule? Cider. If you get your workers a barrel of cider, a couple of them are going to share a bed. We’ll leave it to your filthy imagination as to why that is the case, but it also raises important questions. What if only one person in the double bed has cider? Is Gary always going to be sick of Devin turning up drunk and ruining his night’s sleep? Would the game be improved by a mechanic that generates new villagers after a ‘cider night’ occurs? … probably not.
Aside from the excitement of the bed-mechanics, you have many of your decent but run-of-the-mill worker placement activities. Build things for more resources, do things for resources, acquire more workers to do more things and build more things for more resources.
One of these activities stands out, however. Exploring! As you might work out from the title, you can build your village in two different ways: above, and… below! Before you can build below, you need to explore some of the exciting caverns that twist around underneath your village. With the help of a plucky band of explorers and a giant roleplaying book! Huzzah!
This is where the game bridges the gap between regular Agricola-type worker placing and some more roleplay-heavy story-based game. For each adventure, a story is randomly selected and one of your adventuring comrades will read you out some exciting spiel about your journey underground. Maybe you’ll bump into wizards, rescue some captives or discover your spirit animal!
For all that questing is an essential part of the game, it does feel very disparate from the ‘main’ task of village-building. It’s plenty of fun though so it’s hard to feel too sad about that.
And, like any good game with a roleplaying twist, the game allows you to add as much flavour
as you like to the adventures you read out. The written down adventure will tell you the choices that the explorers face – usually involving various difficulties of dice-rolling dependent on the party you’ve chosen to take on the journey – and the rewards are listed in the book, but how the adventurers acquire those rewards is up to you.
Your friends can add any extra layer of plot that they like, on a scale of Briony to Bob. Where a Briony might end an adventure with “Great! You conjure up a mushroom, now you have a mushroom”, a Bob will give you an elaborate plot with sympathetic characters, motives and backstory. Briony only plays adventures, she doesn’t make them.
Unfortunately for Briony, her lack of roleplaying skills also somehow extends to sucking at playing them. If there is a demon to accidentally be let loose on an unsuspecting village, Briony is the one who will open that cage. If there is a pig to be rounded up, Briony will fail in every method of capture from luring with treats to singing a special magical pig song. When she finally resorted to lassoing the poor creature by the neck the farmer was singularly unimpressed.
“WHAT! What do you mean, ‘minus one reputation’? I helped the farmer! Just because I didn’t have enough points on me to know a damned pig song!
“Yeah, we’ve all been there, bro.”
Briony’s reputation, in fact, got so low that her reputation marker couldn’t go down any further. People had zero good to say about Brionytown. Those clowns just go around hurting people, releasing demons, cursing everyone. Stay clear away, folks! Unless you want to trade or have a nice house. Maybe she was just building up a fancy gated community after all…
Lizzy “Always The Cylon” on the other hand earned an excellent reputation among adventurers of the world. Everything she explored turned into reputation gold! Not points, mind you, but at least she had some serious respect amongst the fictional communities.
Above and Below, as well as doing a pretty good job of crossing over two different board game genres, ticks several other boxes as well. The art is clean and gorgeous, the characters aren’t bland meeples but are cards varied in race, gender AND species.* And there are just about enough ways to earn points to keep it pretty interesting. You get points for buildings, there’s an interesting points scale for different kinds of resource, and there are points for reputation. It’s just right to get the players having to think carefully about what they’re doing.
And, most importantly for the Misery Farmers, it has enough story-telling flair to distract from just being a point-machine game. There are some games that are fun, but that everyone knows Lizzy is going to win. Scoville, Euphoria, Liguria, for example. Above and Below is, praise the cardboard gods, not one of those games! QUICK, DISTRACT LIZZY WITH ROLEPLAYING! SHE’LL FORGET SHE HAS TACTICS!
We had a great time. Briony turned out to be the winner after setting up an effective income-based infrastructure which resulted in fancy buildings and piles of resources, while Bob and Lizzy wasted their time having pointless and stupid fun adventures. And so finally Lizzy lost a game, Briony eventually earned back a little of her reputation and Bob learned that her spirit animal is a fish. The real winner, as always, is board games.
*In some scenarios you can gather extra party members. These include a robot, a lady made of tar, and a cat. The cat is particularly fun because if given any task it has a 1 in 3 chance of just… not doing it. That is exactly how cats do.
There are four treasures up for finding at any one time: brown, grey, white, and black. There will be more hidden around the island, ultimately, but presumably you only have enough room for four maps at once, the rest of your pockets being filled with snacks and maybe a board game to pass the time. To find one of these four you will gradually hone in on their location by playing cards which eliminate possible locations until only one remains. The treasure is then dug up and shared out among not only those who dug it up, but also those who contributed to discovering its location (because, of course, researchers share academic credit).
The game doesn’t encourage you to be unhelpful to your expeditions. In fact, it does quite the opposite. Every time you help narrow down the location of a treasure you’ll get a bit more of a share of that treasure. Or, as we call it, “put another finger in the pie”. You’ll want to have your fingers in a variety of pies, particularly earlier in the game, to get yourself a lot of treasures, and the quicker those treasures are found then the quicker you can stick some new fingers into some new pies, you see. Pie treasure for everyone.
In a startling return to scientific inaccuracy, there’s a chance that the treasure you discover could contain some horrible curses, which can only be protected against with magical amulets or appeased by giving up your greatest treasure (in-game treasure though, obviously. You needn’t be prepared to offer up your firstborn just to play). As soon as a curse comes up then there’s no more of that treasure for anyone, no matter how many of the fingers you had in that pie. That’s why it’s best to not keep all your 
There’s something really satisfying about a game of Tobago. Not just working out locations of treasures, but also the gameplay more generally is rather nice. Those mysterious, giant stone heads that we mentioned at the beginning of the game will spurt out delicious amulets now and again, which make it worth pootling about in your Jeep a little more to collect them. They can enable you to double up some moves and work out some pretty tasty combos, as well as just saving you from the worst effects of the curse cards.
Simply, your hidden worker-placement decisions affect what your opponents are able to do and vice versa. The upshot is that you make some choices by predicting your opponents’ strategy. The galaxies laid out in front of your frenemies are absolutely not hidden information, so a good peeping should at least give a hint as to their intentions, if not the results of their dice-rolls.
Other complicating factors are Fate cards and Chance cards, which seem to be more or less the same thing. Most of these are straightforward crap-game fare (roll the dice***, react to an outcome which may be favourable or unfavourable; hoard this very scenario-specific card until a specific scenario arises, at which point forget that you have this card; roll a 6 or miss a turn, etc), while others are frankly weird. Bob got royally stitched by a card which asked that a player choose another player and, whenever that player made a decision, rub their hands together while looking all sly and questioning their decisions. When they inevitably ask ‘why are you acting like a villain from Scooby-Doo?’ you can steal all their hoarded Fate and Chance cards.
Misery Farming 
