Pairs well with: pirated space-rum
Traitor-rating: 4/10 knives in the back. Direct rivalry but not too much player interference.
Star Realms works well as a game that you want to play again. In fact, it’s one of those games you’re keen to play again before you’ve even finished the current round. That’s either a point for or against it – you can decide.The game works this miracle by letting you see and plan enough different ways to victory, enough different cards that you want to pick and different strategies you want to use.
Star Realms is a two-player space card game.
There’s a communal pool of five different spaceships and your job is to hire them to do things for you like fight, trade or improve your authority. How do they improve your… authority? We didn’t go to the trouble of looking into it too much, but the little authority symbol on the cards looks fairly harmless, a bit imperial though. We assume the ships carry little flags and sing loyalty songs. That sounds right.
Anyway. The number of ships you can hire depends on how much trade you have to spend that turn. How much trade can you spend that turn? Well, however much trade you’ve amassed from the ships you’ve already bought. And how many of those cards come out in the hand you play this turn.
Yep, it’s also a deck-building game. A lovely, addictive deck-building game.
There are four different kinds of ship – in the basic game, minus expansions, at least – which each come from a different alliance in the galaxy. It’s nice, because each of these card sets also has a different kind of feel to them in the way that they play, as well as just a different name and a different colour. Each kind of ship will play best with certain kinds of tactics, but not in such a strict way that there’s only one good strategy for each set.
Although the farmers of misery spend 90% of their board game lives nerding-it-up with the real-life versions, this is one game where we’re certainly qualified to give a review on the app version as well.
The star realms app is pretty good. It costs money to get anything but the basic version, which is a pretty successful tactic at luring in any unsuspecting gamers (worked on Lizzy!) and, even then, there are a whole bunch of expansions to try to milk even more from you. Luckily, though, there’s still a fair bit to keep you going, particularly for people who like to milk a lot from their games. Each campaign has a number of games for you to win, with some spiel that gets read out by a deep-voiced male who sounds like he’s describing an awful action movie. And each game itself has three achievements for you to keep busy with, and a harder difficulty if that still isn’t enough.
And let’s be fair, nobody here at the blog is beneath giving the app extra credit for having puns in it. Puns that seem specifically designed to just-about avoid copyright trouble. Yeah, we’re looking at you, mission against the Machine Cult called “Rage Against the Cult” and another mission called “The Empire Strikes”.
We gather that not all of the people who read about our humble adventures in farming misery are British. Not even the majority of you, in fact. So instead of just diving straight into a British comedy pop culture reference we’ll have to set it up a little first.
There’s this sketch show we have called The Mitchell and Webb look. In this one scene, Webb and Mitchell are both dressed in war uniforms and making plans on the battlefield. Mitchell’s character looks concerned, and says to his friend;
“Hans… Hans I’ve just noticed something. Have you looked at our caps recently?”
“The badges on our caps. Have you looked at them?”
“What? No. A bit.”
“They’ve got skulls on them. Have you noticed that our caps have actually got little pictures of skulls on them? Hans… are we the bad guys?”
Anyway, that’s pretty much what it’s like paying attention to the semblance of plot in the Star Realms app. There’s pretty much fuck all evidence that you’re the good guys. You’re battling for territory, you’re having space fights, you’re showing the enemy who’s boss. But there’s no reason to believe you’re the good guys. No good reason why the space territory is really yours in the first place. At least, none that would hold up in a fair human (and alien) rights court. Someone needs to start talking about the merits of diplomacy, that’s all I’m saying.
Overall, with the app it’s still difficult to resent the way that the app seems to give you a plentiful plethora of content and then slowly reveals the amount of extra bits you’ll need to buy in order to actually play it. Upon first download it looks like you have a wonderful six campaigns to play through, and a whole lifetime of fun ahead of you! Then, one by one, when you actually get round to the next campaign it’ll let you know that you have to buy the full version, the expansion, another expansion.
The app gameplay is good, and it offers a lot that the real life version doesn’t- particularly if you’re sat alone in your room with nobody else to play with. But the app ethics are a little pants.
The real winner is definitely not world peace, let alone space-peace. As usual, the real winner is board games. Over and out.
* Lizzy advises you to be wary of the Star Realms box. She and her ex tore it open when they first got it, to realise that was the only packaging. Whoops. Might be related to why you have a photo of an expansion instead.
Pairs well with: Any old cocktail so long as it has an umbrella in it. You’ll be needing that shade. Brutus rating: 2/10 for picking the meeple the other person wanted GODDAMNYOU
Aren’t you guys lucky – this week we have a super exciting time-lapse of our game of Five Tribes thanks to our lovely friend Pete! Enjoy and keep on reading.
Have you ever wanted to own your own camel herd? A golden palace? How about controlling all-powerful djinn for your mischievous bidding?
It may sound like it’s taken straight out of a Disney film, but trust us, Five Tribes has all of the hallmarks of a great fantasy board game.
Five Tribes first grabbed our attention back in Essen Spiel, 2015. Brightly coloured and beautifully charismatic it was no surprise that Days of Wonder were pushing it to as many people as possible. Fortunately for Days of Wonder, the Misery Farmers were in fact drawn to the camels.
‘Holy shit it has camels. Like, a lot of camels. At least four camels. Guys, stop, we’re playing this. We need to see if it can compare to Camel Cup…’
The game is set in the mythical land of N’quala, where the design and artwork of the game leave little to the imagination. The aim of is to use the five different tribes – the varying coloured meeple who are randomly allocated across the board – to control the kingdom. In short you’ll need to collect the most money (which double up as victory points), where you may dictate, sat atop your pile of cash.
Confusingly, that means that Five Tribes is NOT for five people. Five meeple, not five people. Cast away that spare friend and get them to be in charge of snacks.
Now, let’s get back to those tribes. A round kicks off with some jostling about turn order which relies on a bidding mechanic. After this, each player selects one square of randomly coloured meeple, each of which have a different profession, and therefore have a different action associated with them. Blues are builders, they gather you money based on the surrounding tiles. Reds are assassins, they allow you to kill lone and undefended meeple. Whites are elders, they summon djinn who may grant you extra actions. Etc, etc.
Wait! So the five different tribes are each a different colour? And any meeple of the same colour has the same profession?
Yep. N’quala is definitely not a place of very cleverly distributed jobs. No idea what you do if you want to build something and you’re not the builder tribe, for example. Pff. And what, when your hair starts to go grey do you go and leave your family to join the elders tribe? I mean I know a few badass old people but as a rule they must suck pretty hard at most things, like manual labour.
However it normally works, they’re all gathered together and mixed up at the moment. Probably for the best.
The key to this game is looking very, very intently at which squares to begin and end your turn with. Choose which action you want to achieve carefully before moving anything.
‘Right, that’s my turn… hmm… no… I’ve done this wrong, can I try again? Does anyone remember which order of different colour meeple I put where? Did I pick up 4 or 5 to begin with? Oh God, which tile did I start with, they all look so similar…’
^^Literally, fuck you. Don’t be that asshole.
To be fair, it’s a little unintuitive before you get used to it. You pick up all of the meeples from one tile and then spread them around one at a time on each tile as you move in any non-diagonal direction you like. You have to end on a tile with at least one meeple of the colour you’re about to put on it, and then you pick both of those up to keep or put away. That’s probably how the game has been described by our friends both as “reverse-worker-placement” and “the tidying-away game”.
The number of meeple you pick up on your last tile dictates just how much of that action you can do. For example, picking up three reds allows you to kill a piece up to three squares away. Not entirely sure how that one works, perhaps their morale allows them to travel faster if they’re egging each other on.
As well as taking actions through meeple, each board square has a symbol on the bottom left hand corner that provides you with an additional action, should you choose to use it. This allows some great combo-moves (obviously depending on your foresight and ability to count small wooden folk).
And so, each player picks up and redistributes meeple throughout the game, using their skills to generate victory points. Briony is particularly good at a strategy relying on market traders: it’s always satisfying to generate enough points in a single track to beat everyone else and their diversity tactics. She annoyingly does this with the science track in 7 Wonders and is rarely, if ever, beaten.
What about the camels, I hear you cry! You’ve been shouting it at us from the moment we stopped mentioning them. Well! If you pick up the very last meeple of ANY colour in a square, thus leaving empty, you are allowed to park a camel of your colour on it (which is worth a certain amount of victory points at the end of the game)*.
Yup. You know when we said that you’re not the tribes? Turns out you’re the camels. The better you make use of the human tribes to your own advantage and the better spots, goods, djinns, and many other things you end up for yourself, the closer it’ll bring you to victory.
Particular tiles have a palace or palm tree symbol also. This means that if any action occurs on this tile a palace/palm will be added. Whoever controls the tile with their camel** at the end of the game scores 3 points for each palm tree, 5 points for each palace.
Scoring at the end is a complicated affair, since there are a lot of different and interesting criteria to judge who the best bunch of camels are. But the game comes with an adorable picture sheet to help you tally up with. It’s all good.
As all truly great, repayable board games Five Tribes can be played with many strategies. A full game takes around 45 minutes to play, which means that you can try new ideas, refine old ones, and base your tactics off of the other players. It has that element to it where you’re desperate to try a new tactic before you’ve even finished the game you’re playing. You can even play it many times in one night if you like camels that much***.
The real winner, as ever, is board games. And camels. Camels and board games.
*’What do you mean that’s all the camels do in this game? Where is the excitement, the drama?’
‘I don’t know, maybe they’re the retired camels from Camel Cup?’
‘Hmm. Fair enough. That’ll do camel, that’ll do.’
**Strategic camel placing is a great strategy for this game. It is now commonly referred to as the ‘parking your camel’s butts’ method.
Pairs well with: the blood of rival gangs mixed in with some post-apocalyptic moonshine. Brutus rating: 8/10 for backstabbing
It’s almost a year ago now that UFOs were last sighted in the skies over the Misery Farm for our second play through a Watch the Skies event, and in that time an awful lot has happened. The world turned. Our Prime Minister was accused of the kind of scandal that satirists dream of (#PigGate #NeverForget), and America lost its collective shit and voted for an orange balloon in a wig to run as Republican presidential nominee. Our long-time RPG matriarch, occasional guest correspondent and one-time GNN news reporter has had a small “human” baby (All Hail).
Oh, and the apocalypse went down.
Our story today really starts sometime in March. Zane Gunton, organiser of Bob and Lizzy’s first Watch the Skies (and indeed their first Megagame experience) had another game in the works and was looking for teams of three to live out what happens in the South of England after the world has ended. Aftermath is set some time after capitalism has fallen, society has broken down, and the snows of a winter long enough to do Westeros proud have finally started to melt.
Bob, Lizzy and Briony practically fell over themselves in excitement once it dawned on them that finally, after all these years, this was their chance to live out their mad, anarchist, Amazonian death-warrior fantasies. They’d survive the apocalypse and they would do it in true style, god dammit.[i]
This Megagame was hosted, unlike our two previous experiences, somewhere actually pretty accessible. It was in the centre of a town, in an large bunker-like room. The good people at Southampton Guildhall would probably resent that comparison but they’re the ones with a shabby basement-level ‘suite’. Rumour has it that the room was one of the more expensive parts of the endeavour, but where better to host the Aftermath of the apocalypse than a subterranean grotto?
It even came with a passably-stocked bar, which let us buy booze more cheaply than normal at the very reasonable and restrained time of around 1pm (with the excuse that red wine looks a bit like the blood of your enemies). They could clearly tell that we weren’t the kind of, fancy, business clientele that normally meet in the city centre’s guild hall. Not sure how, but it might have had something to do with the (fake) blood smeared across our faces or the leaves stuck in our hair (what? That’s just how we normally wake up on Saturdays.)
We walked in bright and early (so, so early), into a really well set-up room. Tables were covered in maps and there was a lot less prep to do beforehand than previous Watch the Skies events. Bob nearly lost her mind when she saw that the maps were proper Ordnance-Survey ones because that bitch is crazy and really, really loves maps.
To get into character we started by greeting everyone who came near us with a cheery smile and the phrase “death to man”. Of course, the only people allowed to approach our table at the beginning were control, who quickly pointed out that they weren’t male at all but just nebulous god-like beings there to impart wisdom and make the game work. They escaped our wrath.
The next person who came by our table was the event photographer who, rather than being terrified by our sharpened nails (yes really) and spatters of gore was deeply entertained and gave us badges emblazoned with the motto ‘Stop Harrassment in Gaming’[i]. Which was lovely, but didn’t really convey the kind of terror we were hoping to inspire. Luckily we could let our barbaric blood-thirst flow free once the game started.
Our theme was, to put it mildly, heavily influenced by raging death cults. The apocalypse hit us hard (as it had everyone) and driven us to some rather extreme methods of survival. Old Lady Lizard (Lizzy) had amassed a group of female followers and preached to them about the cause of the end-times: not just capitalism but its patriarchal roots. Death, destruction and madness brought Nameless B (Briony) and Crazy Bob (Bob) into the fold and, in our insanity, we concluded that the only reasonable response was retribution and vengeance to the male puppets of patriarchy for bringing about disaster.
Gameplay was actually really good, and one of the best ones we’ve experienced in a Megagame yet. Although it took us maybe a turn to get the hang of things, it was actually quite simple. We had cards representing resources and people, and it was our job to use them in as creative and effective a way as we could. Given cards representing groups of survivors who’d joined our cause, we named them “The Valkyries”, “The Matriarchs”, “The Harpies” etc. We had a great time.
We could place cards on our own board to determine what we’d do locally in our home base of Arundel Castle (a real castle about an hour’s drive from where we live and an excellent defensive fortress)[ii]. A controller would come round and together we’d explain and work through what the units were doing, be it gathering supplies, fortifying the castle, or cutting down trees. ‘Housekeeping’ was also an option. An option which we ignored.
Resolutions were conducted using a method we can only describe as ‘Blackjack’. A controller would decide what kinds of numbers we’d need to aim for, what difficulty we were at, and we’d play a mini round of Blackjack. This was great as not only did it combine elements of luck and personal decision-making, but Blackjack is Bob’s favourite betting game.
Bob: We’d better play it safe and hold it there.
Lizzy: That doesn’t sound like us.
Bob: (shocked) Wait, you’re right! That doesn’t sound like us! HIT ME!
The other main thing to do in a turn was, of course, to leave the castle and go out into the surrounding area to kill, maim, and loot. This was done via more cards (that represented our bands of survivors, our supplies, any weaponry we might have, etc) and written instructions, complete with details like co-ordinates of where we were heading. After a few misunderstandings and mis-readings (controllers are, after all, only human) Bob took to writing the instructions in block capitals with copious underlining.
This was where all the maps came in. Our tables were each supplied with a map of an area in the South of England, along with markers describing some local information. If we wanted to go somewhere, we had to decide where, how, and how long it would take. This more realistic approach is one of the ways in which the gameplay was really intriguing. We couldn’t just make up places we were going, or be vague, we had to actually choose somewhere real. We had to consider terrain (roads, in the post-apocalyptic South, are clogged with abandoned cars and near-useless), buildings, and which places would have the kinds of supplies we were after without being too full of homicidal locals.
All of which worked in our favour during what’s now being lauded as ‘The Great Victory’.
Apparently our approach of raiding parties, killing sprees and general unwillingness to civilly interact with our neighbours had not gone unnoticed. A lot of the rest of the room (playing as the government (‘Gold Command’) and local law-enforcement (‘Silver Command’) had actually done a pretty good job, it turned out, of trying to bring society back together. There were regular news reports on the radio (that signified when a new ‘turn’ in the game began), apocalypse-proof farming initiatives, safe-zones, and capitalistic enterprises springing up all over the damn place. The army and the police had, pretty quickly, been despatched to sort out the havoc going on around Arundel Castle.
You know that shit is about to go down when half a dozen green-shirt controllers all surround your table at once with a couple of the guys from silver command. One (whom we recognised as the Military Advisor for France during our first Watch the Skies. His tactical skills had clearly helped him survive the great apocalypse) was wearing a police hat and a stern expression. Zane ‘Megagames’ Gunton himself broke the news that there were tanks and approximately 200 people approaching the castle fortifications.
Unluckily for us, we actually had no weapons beyond some mediaeval stuff we’d picked out from the armoury and some medical supplies. We’d sent our only rifles off with our original hunting party (who had never returned). The tanks were well-equipped and heavily outnumbered us.
Luckily for us, we were a band of insane warriors who had spent much of the previous turns erecting even more fortifications than the castle already had. Briony had in fact insisted that we block the only susceptible part of the castle seen as we had some spare builders and a lot of trees lying around. Also, as a storm was raging in-game, we had brought all our survivors inside the castle walls and they were ready to dispense some guerrilla defensive tactics. Also, did we mention we had a fucking medieval castle. Those things have been around for literally years.
The poor attackers weren’t quite sure where to start. Here’s a transcript of how some of that went down[iii]:
“Er, we get take up a good position and start firing at the castle.”
“You can’t just say you take up a good position. Where?”
“Ok, er, here. This high ground. *gestures at map*”
“That’s more than two kilometres away. Your mortars would be useless”
“Oh. Er. Here then!”
“That’s inside our fortifications. That line there is our fortifications. It’s clearly labelled fortifications” (Controller: “They’re right, I watched them build them.”)
“Damn. Er. We start from the hill and start slowly approaching?”
“Ok. You’re walking slowly down a hill, towards our fortifications, in front of a great big castle?”
“Did we mention it’s a castle?”
We did have a pretty damned defensible position. A lot of the plains on one side of the castle had been flooded, and we’d done a lot of work in fortressing-up the rest. We had also dispatched some particularly fervent warriors into the forest (hereafter known as Guerilla Warfare Woods) to stage slash-and-run attacks with medieval axes and some scalpels we’d nicked from a hospital.
A few excellent card-draws later (including a straight 21) the police were too afraid to approach and the army were losing people. They withdrew. We tallied up a few more on our death-count and drank to our own victory. It was a glorious time.
We had a really good time in general. We later found out that we were having some pretty incredible luck at drawing cards behind the scenes with the controllers as well as at our table. All just part of what can make a Megagame really exciting.
Our isolationist approach did mean we didn’t get much interaction with the rest of the people in the room and thus had a fair bit of dead time as the poor controllers rushed around trying to resolve everybody’s plays at once. In fact, the first and only interaction we had with another party was a small band of traders cautiously approaching our table. The travellers were represented by one guy who we’d seen across the room talking to a lot of the other groups. Naturally, we immediately attempted to kill him. He got away (thanks to some unlucky card draws) but dropped some awesome stuff (stolen rum goes great with human flesh). He had then later alerted all of the other groups, and silver command, to our hostility thus beginning their plotting against us.
We once heard someone run over to a table and say “Wait! I’ve just realised that that is the most suspicious thing I’ve ever heard. Did you say a unit of 29 old ladies walking by with zimmerframes?” which kept us amused for a while. Otherwise we didn’t find out much about what was going on in the greater game until the summaries at the end. We even heard the same problems from some people who were actively trying to find other groups, so perhaps the game was spread out over slightly more land than was ideal or the players were wildly under-estimating how far and how efficiently they could travel.
The summaries at the end are always one of the best parts, bringing together the stories of what had been happening for all of the different groups, and really giving everyone an understanding of how their actions actually affected everyone else.
Some of our favourite other-group themes included the return of capitalism from Team Apple (who brought WiFi and radiation-resistant technology in the form of the ‘iPocalypse’ to the wasteland), the cannibals who only managed to kill around 6 people (psh! Our kill count was nearer 70), and a group who were on a stag party when the apocalypse happened, and just kept on partying. Their table was decked out with Hawaiian flowers, cocktail glasses and pineapple juice, and a large part of their end-game was devoted to throwing a party big enough to invite all the survival groups in the South. In the words of their controller, “their star is burning very brightly but I’m not sure about their long term strategy for survival,” which sounds like a nice way of saying ‘they’re playing a good game but they’re all going to die soon’.
Gold command had apparently had a fantastic game, but the disconnect between what they were doing and what the survivors were doing was enormous. They had no idea of what we were doing and we had little idea of how well their mandatory ID cards and ‘education’ policies were going. Amusingly, the silver command in control of our area (whose attempted arrest of the Morrigan had gone so disastrously poorly) had decided that Gold Command were fascists and seceded from the government in the final turn.
Oh, and there was apparently a ‘Cult of Bee’ people.
As for your noble reporters, our game also finished on a pretty good note, though we felt a lot like the game had run out of time before really getting to the finishing point, especially as our final orders weren’t resolved before time was called. One, maybe two more turns and the shit would have really hit the fan. There was not just one, but two large groups of people heading towards Arundel Castle. The army had returned with reinforcements, and … a strange band of old ladies were on their way with homemade bombs. The two sides would, we assume, bump into each other and end up fighting each other instead.
This was particularly amusing news for us, since (predicting this kind of reprisal) we’d secretly abandoned the castle a couple of turns ago, and all of our forces were out raiding the towns and farms around Littlehampton[iv]. As a distraction Briony had spent several turns constructing some trebuchet’s for the inevitable second wave attack on the castle, and had left the builders there to (wo)man them. May as well get some medieval siege-killings in while the rest of our survivors were racking up the raiding party’s kill-count, right?
We can’t thank the organisers and the controllers enough for putting up with our mad ways. It’s definitely an amazing Megagame, and one that we highly recommend to others if it happens again. We also can’t even begin to thank Zane’s wife for making apocalypse-proof cakes, which were distributed around the halfway point of the day. Those lemon drizzle cakes were boss.
The real winner, as always, is cake gaming.
[i] And by ‘style’ we of course mean ‘soaked in blood’.
[ii] Not only is Arundel Cast a real castle, but it’s actually owned and sometimes lived in by an earl or duke or something. This pleased Bob immensely as the implication was that the Morrigan would have killed and eaten him in order to gain access to his sweet medieval armoury.
[iv] A plan which Briony had great difficulty with, since she was having a very hard time listening to her roleplaying side over her highly trained strategy-game side. BLOOD AND DEATH TO ALL, but you know, while maintaining an impregnable stronghold.
Our review this week is a little different from our regular posts. Instead of being a game, event or tournament review we instead wanted to share some hype (and probably information? I guess we should include some information) for the new board game café/pub that has opened up in our very own city of Southampton.
Here is some hype. Enjoy the hype. Hype.
There had been rumours for a long while that someone, anyone, would eventually start up a board game café in the city. Among the board gaming community, it had become something of a prophecy: when the time was right someone with the time, and the funds, and a love of games would rise up and provide us all with comfy seats, snacks, and rows upon rows of games. And low fun times were had*.
Unlike the other board game café’s we knew about in other cities, for example the Thirsty Meeple in Oxford, Board in the City offers some extra pub facilities**. It also offers a range of hot and cold food to go alongside that, perfect for those like Briony, who continually felt the need to be eating a head-sized giant cheese covered pretzel while playing games at Essen Spiel 2015. Only better, because you wouldn’t have to walk through several packed halls to locate and retrieve one.
As we understand it Board in the City has a large collection of games that will gradually be increasing during the first couple of months of its opening. Their page has been publishing some pictures of this as it unfolds. Mmmm, more games, said every board gamer ever. Effectively, the lure to go and play will heighten over time, so basically there is no excuse not to go and check it out.
Although we only managed to catch a glimpse of the décor on the opening night we can safely say that there is some great promise. We really enjoyed the feature wall: this is where several well known games were selected, with similar games branching out in a tree diagram suggesting ideas of what to play next. The idea is to help folks look for games based on similar themes and increasing difficulty or length.
Despite finding it awesome it sparked a long and intense debate about how it could be improved, and what games should be included and the criteria for selecting them to go on the wall. After all, there are a butt-load of games out there, guys. But, as the venue will have to deal with gamers much like ourselves, we figured we’d at least give them one night before leaping into the ‘I think you should change X to Y because I have an opinion and I think it is right’ discussion.
Excitingly the venue will be running some special events of their own. But how can they possibly make board gaming with your friends, in comfort, while supporting the community more fun you ask? Well, firstly by running a huge murder mystery game during the opening evening, involving the entire audience which was followed up with some delightful live music by our very own Grant Sharkey.
The events will keep on coming too, having recently held a Steam Punk party on the premises.
Ultimately, if you’re in and around Southampton go and check it out. If you live further afield then you should make sure that if you’re ever passing through the city it’s worth stopping off for an hour to sit and have a pint, and play a lovely relaxing game of Twilight Imperium before resuming your journey.
Here at the Misery Farm we are looking forward to showing you some more of what they have to offer, and to begin writing some of our reviews from within their walls based on some games we’ve never gotten our hands on before***.
* For a few months before selling her soul to do a PhD Briony had even considered opening and running one with her angry punk boyfriend as a backup career. The lesser of two evils? Who knows, you PhD students can debate that.
**What with being based in a renovated pub…
***Ideally this is going to be the first of such reviews. Briony caught sight of it on the opening night and thought to herself ‘you know what would be funny? Three drunken, angry feminists playing this game. Better convince Bob and Lizzy!’
Traitor rating: 4/10. You can certainly ruin someone’s turn, but a turn isn’t too much work in the first place. And it’s not so much a game that encourages dickery as it is a game where you don’t get a choice.
Lizzy was explaining the rules of Loveletter to someone recently, and found herself stumbling a bit. Usually one to set the scene and really get into the plot of a game, she wasn’t entirely sure what to say.
“Right! So the aim of the game is to win over the Princess. And you have to do this by… er… playing some cards. Hrm. There’s a love letter involved somehow, probably, and… er… some… cards. Hm.”
To be honest, we had no damned clue how the mechanics of the game actually relate to anything that looked like a story or plot, even though we’ve played it as a staple short-game, pub-game, picnic-game or between-games-game for a very long time. It certainly isn’t obvious from the rules alone.
Instead of just explaining the rules and getting on with things, Lizzy did the right thing and spent five to ten minutes promptly ignoring her guests and poring through the rulebook to find out what the hell the plot actually is*.
Remarkably, it turned out to actually have one! The day was saved.
Our scene opens in fair Verona, where we lay our tale. Actually that part’s not clear. We just assume it’s somewhere historic and fancy, where medieval aristocracy hang out. You want to win over the Princess, and you’ve written her a love letter. Hard part over already? Not quite! The game, it turns out, is about just getting that love letter delivered to her. Everyone, it turns out, wants a bit of The Princess. The Queen, her mother, has actually been arrested recently and the poor thing needs a distraction. You would love to be that distraction. And in order to stand a chance, you need to navigate a bunch of nosy guards and sneaky opponents trying to get in your way. It’s great to see a game with a backstory, and Loveletter’s is worth a quick read. Points for amusement.
Now if any readers are at all like us, their spidey senses feminist senses might be tingling a little. A princess as a prize? Isn’t that a bit of an overdone objectification trope? But actually Loveletter manages to not be a dick about it, and we like that. Plus the guard characters are all sensibly-dressed ladies, and that is cause for celebration these days. Bam. Good work everyone.
Loveletter has become a pretty popular game to have in a collection, because it does a really good job of playing the small-game role. In a stunning display of non-arseholery, the makers realised that the whole game could fit in a convenient and small bag, and… they actually sold it in the tiny and convenient bag, shelf-space be damned! It’s fancy and everything; all red and velvety. Shame about the rather weak drawstring though, as without some deft knotting you are likely to end up with a backpack full of scattered cards.
Loveletter wins a place in our hearts not just a short game, but as a pub with your family game, a picnic with friends game. It’s good to carry in your pocket and try to lure people into playing it at irregular times. Particularly handy for those of us who believe that any time not playing games is wasted time.
What’s that? You expect a board games review blog to actually mention how well the game plays? Geez, you people.
The bag comes with a bunch of red cubes (red for wuv, obviously), some character cards (guards, priests, The Princess etc) and … yep, that’s pretty much it. Everyone has a card in their hand and they draw an extra card on their turn. They then discard a card from their hand of two and perform its action. Sometimes the action is something which aims to get another player out of the round, sometimes the action is something like “you lose”. You probably don’t want to play the latter card.
The object of the game is to either get all of your opponents out (such as by catching them with your guard-card) or by getting to the end of the round (when the pile of spare cards is exhausted) while having the highest-numbered card in your hand. The higher the card number, the closer the card is to The Princess (the highest number being The Princess herself). Whosever card you end up with is the person who currently has your love letter, so the one closest to The Princess is going to be best able to deliver it for you.
The rounds are far too quick to make up a whole game, so instead for winning a round you get one of the aforementioned little red cubes. Four cubes is enough to woo The Princess to victory!
We did once trick someone into thinking the game was about building a tower out of the red cubes, but the actual game is far more fun.
Of course, it’s a very small and quick game and it’s partially based on luck. As such, it’s got some limits on how much love we have to give to it. It’s also not so great for two players, even though officially it’s for 2-4. There’s definitely a lot more shuffling and a lot less actual playing the game with two, and if you’re anything like us then you’re kind of in it for the latter. Getting a single person out of the round can (and regularly does) take no more than one turn. As soon as someone plays a baron card the round is over whatever happens, for example.
Besides, playing with four people is a great way to change up your tactics, or to look your rival suitors in the eye as you collect your cuboid love. You can even pretend that this is what dating programmes actually looked like in medieval times even though you are a sensible and rational human being.
Aside from the difficulty of two-player games its neat little bag and ease of play still make it a worthwhile investment. It was a staple of the evenings we spent in the pub during Essen Spiel 2015 after our poor, feeble minds had melted after playing long and complex games all day***. And our poor, feeble feet and backs couldn’t handle dragging around a rucksack of large games to the pub as well.
Really, the real winner is always going to be The Princess. And games.
*A favourite activity for the DM’s of the world.
** He’s The King.
*** It turns out that a continuous flow of German wheat beer (automatically filled up by waiting staff) and Loveletter really is a great way to have some fun passing the time. Another classic is ‘A Fake Artist Goes to New York’, a small simple game based on producing a collective drawing.
Pairs well with: A Bahama Mama, Tequila Sunrise, or other fruity long drink served in a coconut and festooned with flowers and paper umbrellas.
Traitor rating: 2/10. Not that it’s all friendly island-fun, but the game limits how able
you are to ruin someone’s fun.
Recently Bob has been extremely annoyed about science. Not only does she have to do it all the time for her job, but being quite good at it means she has to put up with noticing everyone else being really bad at it.*
Take Indiana Jones for example. He is terrible at science (yes, archaeology is a science). That is absolutely not how you go about retrieving artefacts for a museum, Dr Jones. For one thing your fieldwork methodology is disastrous, and for another your insistence on removing artefacts from their research site and country of origin in order to put them in American museums is deeply problematic! How many ethics forms did you have to fill out for this shit? You’re almost as bad as Brendan Fraser in The Mummy stomping through delicate dynastic tombs or Richard Attenborough breeding dinosaurs for funsies in Jurassic Park. Disgusting.
Tobago takes place on a beautiful, sunny island. As a treasure hunter noble archaeologist you have presumably scraped together the funding to conduct research there in lieu of going on an actual holiday to somewhere you can relax. But that’s ok! There are sandy beaches, roaring waterfalls, and picturesque mountain ranges. The native peoples follow a rural lifestyle, living in huts and maintaining enormous stone idols (which Facebook amusingly recognises as faces if you photograph them) and surprisingly huge palm trees. None of which you will have a chance to explore as you dash madly around the island trying to find treasure.
Bob’s friendly robot boyfriend introduced this game to her as “a backwards deduction game”. The idea was that she kind of sucks at deduction games, so maybe this will finally be her chance to shine (spoiler: it wasn’t).
There are four treasures up for finding at any one time: brown, grey, white, and black. There will be more hidden around the island, ultimately, but presumably you only have enough room for four maps at once, the rest of your pockets being filled with snacks and maybe a board game to pass the time. To find one of these four you will gradually hone in on their location by playing cards which eliminate possible locations until only one remains. The treasure is then dug up and shared out among not only those who dug it up, but also those who contributed to discovering its location (because, of course, researchers share academic credit).
A turn mainly consists of either tootling around in your Jeep** or contributing some kind of map card from your hand to one of the treasures, narrowing down the possibilities of where that treasure could be.
As long as you eliminate at least one feasible location from a treasure’s dig site each time, you can contribute as many times as you like. Sometimes it can make you seem a bit less Indiana Jones and more like the lab intern who could be easily replaced by a monkey wearing a robot suit, but who has managed to involve themselves in so many projects that no one can get rid of them.
Suppose we have the brown treasure pile, and we know so far that this treasure is within two hexagons of the largest island forest. Here, someone might yell:
Chris: Right! I’m contributing to finding this treasure. It’s… not in a lake!
Everyone else: But… there was only one small chance of it being in the lake anyway.
Chris: SHUT UP, I HELPED.
We were forced to refer to Chris as Captain Unhelpful for the rest of the game, as he continued to make that kind of contribution.
The game doesn’t encourage you to be unhelpful to your expeditions. In fact, it does quite the opposite. Every time you help narrow down the location of a treasure you’ll get a bit more of a share of that treasure. Or, as we call it, “put another finger in the pie”. You’ll want to have your fingers in a variety of pies, particularly earlier in the game, to get yourself a lot of treasures, and the quicker those treasures are found then the quicker you can stick some new fingers into some new pies, you see. Pie treasure for everyone.
But beware! Instead of delicious golden pie and chips you might instead dig up a portion of double wank and shit chips.***
In a startling return to scientific inaccuracy, there’s a chance that the treasure you discover could contain some horrible curses, which can only be protected against with magical amulets or appeased by giving up your greatest treasure (in-game treasure though, obviously. You needn’t be prepared to offer up your firstborn just to play). As soon as a curse comes up then there’s no more of that treasure for anyone, no matter how many of the fingers you had in that pie. That’s why it’s best to not keep all your eggs in one basket fingers in a single pie!
There are only two curse cards in the treasure deck, and the game ends when the deck runs out. This meant that the game we were playing as we wrote this review managed to get pretty tense as curse card after curse card failed to appear.
We ended up with a pretty unusual Tobago game, in which suddenly nobody really wanted to collect any treasure, because of the near certainty of suddenly turning into a stinking, curse-ridden turd pie from which it would be impossible to extricate our fingers.
This might ruin the otherwise pleasingly dry play experience, but it does add some excellent tension, of the type that would make Lizzy shout ‘Jeepers Creepers!’****
There’s something really satisfying about a game of Tobago. Not just working out locations of treasures, but also the gameplay more generally is rather nice. Those mysterious, giant stone heads that we mentioned at the beginning of the game will spurt out delicious amulets now and again, which make it worth pootling about in your Jeep a little more to collect them. They can enable you to double up some moves and work out some pretty tasty combos, as well as just saving you from the worst effects of the curse cards.
You can also employ some sneaky tactics in which you don’t just narrow down the location of a treasure and go and collect it, but actually cunningly narrow down the treasure so that you’re already standing on it. This impressive move was pulled more than once in today’s Tobago adventure (-“I love it when things are under my butt!” (Bob, 2016) ).
Lizzy was actually pretty impressed to find that Chris had Tobago in his board game collection, even though the collection itself is rather vast. There was a period when Tobago was out of print and you couldn’t get hold of it other than by paying some pretty extortionate prices. Luckily it’s been reprinted, but the price to pay for that is a few awfully printed pieces. Still worth it, but we’ll always be envious of those with a more original copy.
In a dramatic ending, the final curse of the day was luckily avoided, as each dishing out of treasure requires one more treasure card than there are people to collect it. Having convincingly earned the biggest pile of coins, Lizzy has learned to hide under the table and shout ‘if you can’t see me, you can’t say I look smug!’ It’s nice that she’s learning. Bob usually throws things at her otherwise.
The winner this week is science. But also, as usual, Lizzy.
Pair well with: a warm (green?) tea to watch your splendid firework display on a cold night. Traitor rating: n/a (co-op game)
Hanabi is a test.
It’s also a co-operative game, and a pretty neat one. You have a hand of cards but, excitingly, you hold them facing backwards so that only your companions can see what you have. You, for your part, can see theirs but not your own.
The game itself is a test of memory and testing the bounds of limited information. Your goal is to use these skills to create the best fireworks display that humankind has ever seen! Failure can come in the forms of either a really shit victory (what, you wanted more than two small fizzley fireworks?) or a complete loss which comes in the form of all of the fireworks exploding. This presumably results in death, destruction and – even more significantly – shame.
You want to have a victory, obviously, but it’s really about a good victory. A spectacular victory! There’s a scoring system based on just how well you managed to firework, and you want to do well at it.
The cards are a range of colours numbered 1-5. Effectively, what you want to do is put down sets of the same colour, starting with 1 and ending at 5. Simple. Except, you know, that bit where you don’t know what cards you have. Your turns are a battle between putting down your own cards if you think you’ve figured out what they are (or even sometimes if you haven’t! You maverick!) and giving very limited bits of information to one of your team-mates.
What was that we were saying earlier about how Hanabi was a test?
It’s a test in being able to follow the damned rules and not accidentally give away all of the information. Similar to Codenames, in a way. In Codenames the spymaster needs to constantly fight the urge to stare obviously at the correct clues, look shocked when the spies talk about something really obviously wrong(cough cough JUNGLE JAM) and to say “that’s right!” when someone gets their clue.
In Hanabi the urge to cheat is somehow even harder to control, because you’re all working on the same team. Perhaps today we’re giving you both a review of a cardgame, and a review of our own skills as not-cheaters. (the conclusion of the latter review is going to be something like “points for effort”*).
One thing you need to try pretty hard to resist is to fish for information you’ve already been given. Because, you know, it’s kind of a memory game, amongst other things. That means you should probably be using your memory!
“Oh damn… did I already know that these two were green?”
“We can’t say!”
“Ok, but if I put in a request via the Freedom of Information Act?”
“Yes, those were green.”
There are sneaky tricks to organising your cards. You can, for example, optimistically try to rearrange your cards without looking at them, perhaps by putting all of the 1s on the left. Which is fine, until you completely forget whether you’ve done that, and where you put the new card you drew, and what bloody number you were even trying to remember in the first place.
Is it maybe bending the rules a little to completely turn your 5 cards to a 90-degree angle? We’ll let your own consciences be the judge of that. Our friend Rich’s conscience certainly had nothing to say on the matter.
Picture the scene of a tense game of Hanabi (whether or not you’ve played before): Each player with five firework cards in their hand, all facing away. Each trying really, really hard to psychically send messages to their teammates about which card is super-important to play to get the next firework completed. If you’re not passing on information this turn then you can choose to either discard a card or play one into your firework collection. Of course if you play it and it won’t fit, perhaps if you’re trying to play a white 1 but you’ve already got a white 1 and 2 down in front of you, then a mysterious bomb somewhere gets a little bit closer to exploding.
But if you discard a card, there’s a chance that it might’ve been really important. There are only two of most of the cards in the game, and only one each of the 5s, so if you accidentally discard two green 3s over the course of a game, for example, then you know you’ll never be able to complete the green part of the fireworks display.
This can lead to some very sharp intakes of breath as you see someone’s hand hover over a card to discard that you all really need. Again, bad work with the ‘accidental’ cheating, team.
Still, we’d love to be able to say that was close to the worst example of cheating in some of our games (we could, but it would be lying. Which is just another form of cheating).
“Right, it’s my turn. So, JUST AS A RULES CLARIFICATION, you guys… we can now feel free to discard any of the 1s we have for the colours we’ve already got 1s for, right? We don’t need any of those any more? For the colours WE’VE COMPLETED?”
“Ok. COMPLETELY UNRELATEDLY, I’m going to spend my turn giving information. Lizzy, these cards are all 1s.”
This kind of thing sends Lizzy, who despite all her anti-establishment tendencies is a stringent rule-follower, into twitching apoplexy.**
The game is a great challenge because of the really limited information that you have at your disposal. If you use your turn to give someone information, then you can only tell them one single thing about their cards: either you can point at all of the cards which have a certain number, or all of the cards which have a certain colour. But you have to tell them ALL of the cards of that type. So if you really want to give someone some information about, say, a useful yellow firework card that they have (perhaps that Yellow 2 that you so desperately need) then you can’t sneakily just tell them that that particular card is yellow, you also have to tell them any other yellow cards they might have which may well be useless as heck to you right now.
This can occasionally lead to a person accidentally trying to inform someone of a super useful card before realising that they have a second one of that type.
“This is a … oh shit, no, nevermind.”
Definitely not cheating.
To make matters worse, the amount of times you’re allowed to give out information is limited by a bunch of clock-faced tokens. When you run out of those tokens then you have to either gamble and play a card, or discard a card to regain a token. As if the pressure of running out of cards and ending the game isn’t bearing down upon you enough already.
It’s a good game, and it can get surprisingly interesting in terms of strategy. And it’s really… fun. Not just in the way that working out a complex strategy can be really fun (let’s face it, we all know we’re in this hobby because we’re nerdy about that kind of thing) but also in a more general fun way. There’s laughter, there’s miscommunication, there’s failing miserably. All great qualities for a game to have. It’s a game for both dedicated games nights and for casual games down the pub, since it has the highly sought-after quality of using up not very much table space.
And there is just SO MUCH trying not to cheat.
“What? I wasn’t trying to give extra information, I was just making a general comment about how some of these games tend to pan out, that’s all…”
The real winner this week is board games. But also, a slightly guilty-looking team with some questionable cheating ethics.
* Except for Bob. Bob doesn’t even get points for effort. She’s even dodgy with Carcassonne.
** Her Codenames competitors sometimes refer to her as ‘The Fun Police’
Pairs well with: Rudimentary fermented fruit? Whatever, we just had some wine we found in the back of Briony’s cupboard. It worked out alright. We hunted and gathered it.
Traitor rating: a firm 6/10 for tile-dickery
Do our long-time readers remember Dr Photographer? Such fancy pictures. Anyway one time he kindly lent Lizzy his copy of Carcassonne Hunters and Gatherers to see her through a Christmas with her family. This was several years ago so, naturally, Lizzy still has the copy* and it’s her go-to Carcassonne edition to this very day.
By the way, did you know there was a world championship Carcassonne tournament at Essen Spiel every year? We were pretty surprised. Yeah, it’s a popular game with a few bajillion expansions, but is it really the kind of thing you can have a world tournament of? Well, we suppose it must be. In hindsight we realised that we had made up and attended our own tournament for Codenames which is a much lesser known game, so really, who are we to judge?
Hunters and Gatherers is pretty similar to regular Carcassonne in a lot of ways, but all stone-age and stuff. Instead of a road you have a river, instead of castles you have forests, instead of farms for farming you have meadows for hunting, but the basic principles tend to still be there. In addition to this, at the end of the game you cannot score points for any forests or rivers you failed to complete which we feel is a just end to that one slacker friend who deploys his remaining meeple in a last ditch attempt to get some half-assed points. It makes the end game much more excited, and makes you that little bit more keen to just get that damn forest-ending tile that you’ve been looking for for like five turns now NOT ANOTHER CURVY RIVER ARRGH!
This does mean that when Lizzy plays real Carcassonne with the big kids then she always gets confused playing with the river expansion – an expansion where the first few tiles are just to place out a river for the rest of the cities and roads to go around. “Lizzy, why are you trying to put your meeples on the river, are you drowning them?” “That’s where they go!” “Is… is she new to games?” It’s embarrassing for everyone around.
One of the main parts of playing Carcassonne is just taking a tile out of a bag. The “taking a tile out of the bag” phase, if you will.** Since your entire turn relies heavily on which bit you take out, it’s easy to see how much of an effect that old toad Luck can have on your game. Particularly with your first few plays-through, or if you don’t play that often.
Nobody ever wants a river tile, for one thing. Or a road tile, if you’re playing vanilla Carky. Long river, curved river, ending river. NOBODY CARES, RIVER. GO HOME.
Just as in regular Carky lots of the points can farmed in the cities, in Hunters and Gatherers the points are in the forests. Two points per forest tile compared to only one point per river? Psh. Easy choice!
But there comes a stage in your Carcassonne life where it’s become your go-to game with a certain friend or two for a while. Or maybe you’re stuck on holiday somewhere or the internet hasn’t been working properly and Carcassonne is one of the games you have around. Whoever loses is really determined to play again, and the winner is determined to prove that it was definitely mad skillz and not just luck which earned them that victory. You start playing a lot of Carcassonne. Like, a lot.
Before you know it, randomly placing tiles wherever will add to your current river and your current forest turns into actually developing some kind of advanced, coherent and complex strategy. Briony likes to think that placing a tile with a tasty animal on it anywhere on the board may in fact bring her more points. ‘Are you not going to farm that…?’ ‘I don’t need to, I brought a badass MAMMOTH to the party. I get cool points.’
Brionys of the world aside, you start thinking not just in terms of how to increase the length of your rivers and size of your forests, but how many extra points each extra tile is worth. You start spreading your bets and stop relying on that one exact freaking tile you need with some forest on one side and a bit of river on the other side but only while facing a particular direction.
Fucking hell, you start to think, river tiles do have a use – to join up your meadows. You become resentful of players who seem to understand the concept of scoring points better than you – “Briony… are you playing the points game? The game where you try to get points and then win?”
“Yeah… not on purpose, but I seem to be doing well at it”
Basically, you just start thinking about all of the things you should have been thinking about from the beginning. Huts, for instance. Never underestimate a well-placed fishing hut.
Ok, you say to yourself after the third game in one evening. That’s why there’s a world tournament for Carcassonne!
Of course this seeds some serious resentment when you (Lizzy) play with somewhat less-practiced players (Briony and Bob). Bob will start with very careful placement of each tile, considering every position and muttering encouragements to herself (‘Come on, Bob, we need this, buddy’ – Bob). Her response to then having her carefully-farmed meadow hijacked is to accuse Lizzy of LITERALLY BEING SATAN and start her own settlement miles away from anyone else’s.***
Meanwhile Briony, despite having a pretty good score early on, fosters an incredible inability to perform the most basic function of Carcassonne – fitting the pretty picture tiles together so that the edges match. The situation has reached a point where if any of us mis-place a tile it is now referred to as ‘doing a Briony.’
“Briony, buddy, it’s Bob’s turn. Also that tile doesn’t fit there.”
Soon the tides turned, and everything was once again right with the board-gaming world. That is, Lizzy was trouncing everyone.
Another feature that makes Hunties & Gazzers different from regular Carcle is that you get a selection of shiny gold nuggets in your forests. Ok, so there aren’t even forests in regular Carcle, but the nuggets actually have their own little neat mechanic. When you complete a forest with at least one gold nugget in it, no matter who’s the greedy point-grabbing owner of the forest, you the completer will get to draw an extra, exciting non-bag tile. Not to be underestimated as a tactic! More tiles, more points. And the bonus tiles tend to be a little extra nifty, too. More fish than you could have dreamed! Golden mushrooms (for an extra point), a magical fire that scares away tigers!
Oh, that’s right, there are tigers. As well as delicious huntable animals like deer and mammoth, there are also tigers. These do naff all except eat deer at the end, and lower your score if you’ve got a little gatherer lying down there trying to catch them. Arseholes.
Briony: Can I put the tile-
Briony: Can I put it-
Others: STILL NO.
Briony: Ok I’m putting it-
Others: STILL NOOOO
So overall, Lizzy actually managed to convert her two sidekicks (cough) to Hunters and Gatherers as a superior game of Carcassonne. Maybe it was the wine speaking, but it also could plausibly have been the neater scoring mechanics and the more charming scenery.
There was only some mild and mostly-accidental cheating.
(the team spots a river tile going into a meadow tile… where it most certainly doesn’t fit)
“Wait. Look at this tile here. Who let this slide?”
“Have we had too much wine?”
“It was Briony! I remember!”
“Oh shit it was. Should I take two points back?”
“Nah we’re just going to make fun of you about it for a while.”
Briony, we want you to know it’s OK and we understand. Except we don’t, because we can think laterally.
The real winner here was wine. And probably Lizzy. And this cat who had a snooze in the box while we played.
* In Lizzy’s defence, Dr Photographer-friend has about a thousand different Carcassonne games and expansions, he probably hasn’t noticed it’s missing. Probably. Or maybe there are “missing” posters and a reward out somewhere… don’t tell!
** Or you could employ a sly-Bob tactic which involves slowly taking a tile, pulling a face, and slowly putting it back in the bag when she thinks Briony and Lizzy aren’t lookin. That’s right, we’re onto you Bob. This part is called the ‘drunk cheating’ phase.
*** Blackjack and hookers optional. Mammoths mandatory.
Pairs well with: a nice pint of cider, preferably un-spilled. Traitor rating: 2/10 no real way to ruin each others’ day unless you get particularly creative, like muscling in on someone’s treasure or taking the sword they need.
You would think that by now your Misery Farming friends would be running low on games purchased at Essen. You’d be wrong! We save up all year for that madness. Having said that, this week’s game was not bought by us at Essen but rather was given as a gift.
Bob, as you might not know, is a bit of an academic Jack of All Trades,* though she prefers the term ‘renaissance woman’. Bit of coding? Yeah it’s lurking in there somewhere. Film studies? Yep. Performance art reinterpretation of Stravinsky’s Rite of Spring? Yeah sure why not. Among these many awe-inspiring skills is some spectacularly mediocre German, which gets drafted into service every year for Essen Spiel (with progressively less impressive fluency as time goes on). In 2015 it was pushed to the limit by an all-you-can-eat sushi restaurant that was unable to deliver any you can eat sushi. After waiting for food for two hours the whole table watched in awe as Bob drew herself up to her full height of 5’4 and did something that went against every British instinct: she made a complaint.
The stern Japanese proprietress was unimpressed, and only after a long, long exchange of bad German on both sides interspersed with stony silences was Bob able to procure a mighty 20% discount.
Nonetheless her bravery inspired her comrades and on the last evening they surprised her with a copy of Takara Island as a reward, which she had been eyeing all weekend thanks to its beautiful illustrations (another masterpiece from Naiiade), but had never quite gotten around to buying. It was actually quite sneaky: they staged a conversation so spectacularly boring that Bob zoned out and didn’t notice people slipping off to the Ferti Games stand. It was about the comparative size in millimetres of Warhammer model settings. No normal human can withstand that.
Bob’s given it a few plays since then but she finally gathered up Briony and Lizzy for a play-through in late January at Southampton’s favourite inner-city gastropub the Rockstone. Their ridiculously alluring veganuary specials might have had something to do with it. After munching down burrito bowls and veggie burgers with blue cheese sauce* we set up the board and got down to some rules-explaining.
… Which of course was interrupted when someone knocked over a glass of cider, prompting a chorus of ‘noooooooo’s and scrabbling to save the cardboard bits. This summoned the very lovely barmaid who said that we sounded like a chorus of angels. Aw shucks. Loveliest thing anyone has ever said to us.
Excitement over, we could get started.
‘First things first,’ declared Bob, ‘this is a game about treasure hunting. No complications, no mixed motivations or influence or hidden goals or nothing. Just delicious treasure. You’ve packed up all your shit because you’ve heard there’s loot under the sea and you want to hunt it!’
Briony, looking closely at her character board, commented that it didn’t look like she’d packed anything, really. Except a bear.
Bears are very good at treasure hunting, Briony. Duh.
It really is a supremely straightforward worker-placement game elevated by adorable graphics and the gentle thrill of minor combat and diving for treasure. You begin the game with two workers and no money. There are various actions available to you, from gathering small amounts of money to converting your money into treasure (only treasure is worth points at the end of the game). These actions are represented by drawings of buildings on one side of the board.
On the other side of the board is the sea, on which are placed six stacks of nine tiles. You must ‘dig’ through these tiles in the search for the fabled Stones of Legend, clearing rockfalls and battling monsters along the way. As you go deeper into the stacks the monsters get tougher but the rewards become greater. Sure you might find a creepy sea-bat-dragon, but you might also find a very valuable glowing-eyed Tiki icon. If you come across a monster while digging it will beat you up and send you to the hospital, causing one of your workers to be out of action for the next turn. Luckily you can also ‘survey’ as an action, which means looking at the top three cards in a stack to figure out if that mess is worth your time.
Some of what you find will be worth money instead of treasure points. Money is still useful as it allows you to rent the sword (the only way to fight monsters), as well as hire more workers. A one-off payment of 5 gold will buy you another permanent worker. All three of which look suspiciously similar.
“Are they nice triplets?” asked Lizzy, eyeing the stack of extra workers.
“Yes Lizzy they’re nice triplets.”
“I don’t know, they clearly have mixed loyalties. How come they will only work for different teams?”
“OK, they’re not nice triplets, just regular triplets.”
You can also hire experts who will perform special actions for one turn only. For example the mistress of foresight can look at three cards anywhere in a stack. Briony likes her in particular because of her fabulous hat. It is a giant eye.
The miner can dig through several tiles at a time rather than the usual one. You can always tell the miner because Bob forgets which one is him every single time she plays. Luckily Briony was on hand with keen observations.
“Hey Bob are you sure this one is the miner?”
“Uh… sure. Yes.”
“Because this one has a pickaxe and a little light on his head.”
Scoring is done at the end of the game, and is a bit odd. The game ends when both Stones of Legend have been found or too many stacks have been completely cleared without finding the stones. If that happens then everyone loses. If both stones are found, but by different players, points are scored according to overall treasure accumulation. If both stones are found by the same player they win forever and everyone else loses no matter how much cool other junk they’ve found.
The tiles come in three stages of difficulty, and the tiles for each stage are randomised. If you follow the rules properly then this randomisation is more or less perfect while still ensuring that both Stones of Legend do not occur in each stack. While this makes the whole thing more balanced, there ain’t nobody got time for that. The ol’ ‘shuffle and get on with it’ method is a lot more straightforward, and the possibility of both stones appearing in the same stack gives the whole game a higher risk/reward ratio.
It’s a fun, light-hearted game. It would be good for introducing new friends to Euro-style or worker-placement games, as it’s actually quite superficial. Strategy is minimal, though there are ways to optimise your play (Bob favours a ‘dig blindly while still in the easy early stages, then hire the mistress of foresight for fancy surveying when you’ve got some cash’ playstyle, while Briony prefers to fight monsters (with mixed results)). It would get new players used to the mechanics of ‘proper’ games, without the harrowing punishments usually doled out by said games.***
Maybe also pretty handy for kids, or parents, or those friends who just can’t pick up the rules that quickly and aren’t that deeply into board games as much as they’re into just having a pleasant evening (weirdos).
There are definitely a lot of worker placement games around. But although it doesn’t stand out greatly, it has some pretty beautiful graphics and is still good to play.
The real winner this week was board games. And treasure. And cider.
It’s a tie.
* And Master of none one! Geddit!? Cuz she has a Masters…? Hahaha?
** They were out of fancy ramen with mock duck gyoza. So sad.
*** If playing Agricola doesn’t make your soul hurt so much that you feel the need to name a board game blog after the pain it causes, you’re not playing it right.
Pairs well with: Sake, or another spirit derived from rice. Brutus scale: 4/10 for the dickery-to-other-players scale
Sometimes rather than jostling for attention with a review of a big-name high-flying board game it’s nice to settle in with something which might have been criminally overlooked. Something clever, attractive, and strategic. Spirits of the Rice Paddy is such a game.
Briony bought it in anger during Essen Spiel 2015. She had queued up for an hour for the chance to buy one of the last three copies of a game of Burano, and had walked away empty handed. Instead of saving the large amount of money she would have splurged on Burano, she instead decided to angrily stomp around the convention halls looking for the prettiest box. Rounding a corner, she encountered Spirits of the Rice Paddy and fell in love with the art. She watched it being played for about 20 seconds before resolving ‘Fuck it, and fuck the board game gods. I’m taking a risk and buying whatever the hell it is’.
Fortunately, she does not regret that decision to this day.
Other people do, however. Pat, Briony’s angry punk boyfriend, finds this game particularly annoying and difficult. Everyone else isn’t really sure why this is the case, as rice isn’t the most challenging of crops to grow (it just needs a lot of water) and it really hits the spot when you’re hungry and want 1000 of something.*
Spirits of the rice paddy is set in Bali, and you play the role of a rice farmer. You own a plot of land that may be sectioned off into paddies in order to grow your rice and earn some tasty, tasty victory points. Fear not though, brave rice farmer, for you will also have a hand of cards which represent certain Balinese gods which give you a little helping hand.
We assume these are real gods from the local culture, but we are too lazy to check and instead are more taken with imagining what powers we would have as Balinese gods –
‘I would totally be like this snake guy, but with legs. My power would be to give all of the snakes legs.’
‘So… a lizard?’
‘Well I would be better than your limbed serpent – I’d have the head of a dragon and the stomach of someone who really likes eating rice. That way I can judge which rice is the best and reward whoever grew it, while still maintaining my fearsome appearance.’
‘I’d still be myself, but, you know, I’d eat less carbs.’
The game begins by dealing a hand of gods, selecting one, and passing them clockwise. You build up a hand of four cards, which you play in an order of your choosing once at the beginning of each round. Classic card-drafting stylee. The god’s power is in affect as soon as it is played, and the number in the top right hand corner then dictates the turn order. Gods with higher numbers go later, but have more powerful benefits. It turns out its very tricky to get the balance of numbers right as each number adds to the ones from each previous round, meaning that you can’t get away with playing one high card among three lower cards.
Each player has a board representing their own plot of land in which to grow rice. You can hire hard-working meeples to do jobs like plant and harvest rice, and to build walls to form paddies. You can buy livestock (oxen or ducks) to remove rocks and pests. Both of these guys are pretty important to build up functioning rice paddies.
You begin the game with one small paddy – in order to be able to grow rice you will need land enclosed by walls, with an entrance gate, an exit gate, and the all-important water. Actions follow an order on the right of your board. At the beginning of this phase you allocate all of your meeples and livestock to the part of the chart you would like them to do. Then, when everyone is happy with allocation, all players go through each job step by step together.
The amount of water in a round is dictated by turning over a rain card. The water then collects behind the water gate of the player with the lowest-numbered gods. Only some actions may be completed without water in your paddies (for example, removing weeds). Then comes irrigation. The collected water flows through the first player’s paddy, and remaining water passes on to the next player.
At this point you begin to see why the number of your Gods is so important.
Often the amount of water varies, and players can be left with half-filled paddies (which are useless), or even completely empty paddies (which are useless-er). Once you have managed to plant some rice in a watered paddy, there is no guarantee that pests or rocks can ruin that rice. Rain cards, more frequently in the later stages of the game, bring plagues or… just rocks. This means that if you have several paddies growing rice to be harvested next turn you’ll still have to drain the water, remove the pests, and then re-water before you can harvest well.
Over time we stumbled upon a good tip for rain card pests and rocks; the rain card sometimes allows you to allocate the pests and rocks yourselves. As long as you have a certain number somewhere in a paddy the rain gods are totes appeased. This means that if you leave a small paddy intentionally empty, you can allocate all of your nasty things there and it fucks with your strategy a little less.
Once all of the jobs have been completed by all players the actions phase ends and the market phase commences. Amazingly, selling is uncompetitive (you stock your own market on the left of your board) which is fairly rare for these sorts of games. You can hire more labour and livestock for your majestic rice empire… *cough* which may currently more resemble a plague-ridden paddy of horrors and only produce only one bag of rice every two turns *cough*…
During the beginning of turn five another deck of gods will appear. With divine intent. These gods are much more powerful than the starter pantheon, and can help you do much more – especially if you tailor your final stages strategy to their powers. There is one small twist however, as in the final stage of the game all rice you harvest and subsequently sell is worth practically DOUBLE however much it was previously worth (some of the best gods will allow you to add even more to that).
‘Move aside, lower carb-consumption god. I now have ‘wipe everyone out with my rice empire’ god. His name is Monsanto, and I have a lot of rice.’
Overall, the game is beautifully designed. The gods bring a nice setup to the beginning of each round, and boy do you learn fast that you either play low-ass numbers, or select gods which provide you with water themselves. The progression of the game is something we enjoyed as well, as it really gives the feel of time moving along in the mountains for the farmers (after years and years you learn to grow better, and gain more favour with the gods, and your children don’t starve). The only downside we found was that at the very beginning of the game, each player will be given a starting conditions card at random. Some of which seemed to be massively unbalanced – we had one person starting with 5 walls, and someone else starting with three walls, extra meeple, and a wad of rice. To combat this though we just took out the ridiculous cards and made it a little more even.**
Aside from this, we are really looking forward to seeing what other games Philip duBarry produces, and strongly hope that there will be more cute pest pieces and pretty drawings.