Forbidden Island: I sink we need to get out of here!

Pairs well with: An ice cream float.
Traitor rating: n/a (co-op game!)

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Having not played Forbidden Island in a while, the game was reintroduced to some of the Misery Farmers through a friend. He’d been looking for some board games to get his maybe-not-quite-double-digits-yet children into. More specifically, he’d been looking for some co-op games to get them.

“It’s great! I’ll trick them into family bonding. They’ll like me if I can turn us all into a team facing an enemy of some kind. Unity against a common enemy!” He said, maniacally.

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The previous key to Rich’s popularity

You see, a couple of months ago said friend had been a very popular guy. He’d reluctantly taken in a stray cat at the behest of his friends and children, and soon realised she was a little bit rounder in the belly than he’d remembered. Four kittens later and Rich was the most popular friend / dad in town.

“OH HEY! We’ve just popped by to see you and spend some time with you and play some games with you… where are the kittens?”

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Miaow?

Having eventually given the kittens away, (something something cat allergies, something something ice-cold heart) Rich needed a little something extra to win over the friends and daughters. Such beginneth the purchasing of board games.

One of the first purchases (which, of course, we insisted on testing *cough* before the kids tried it) was Forbidden Island. As described by our friend Dr-Photographer, and several others before him, “Oh, hey, you’re playing Pandemic, but easy!”

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There’s a sign there somewhere which says “DON’T GO HERE”

But don’t run away yet! If you’re like us, then you know that there’s little worse for a co-op game to be than easy. Co-ops need to balance their lack of competitive dickery with misery, misery and more misery. You need to have to strive for victory! And, dear readers, let us reassure you right now that Forbidden Island is not easy.

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These had better be some damned good treasures

What does give Forbidden Island its advantage (or disadvantage, depending on who you are) over Pandemic is not that it’s easier, but that it’s simpler. You play some cunning explorers, and your goal is to acquire four glorious pieces of treasure and then flee the Forbidden Island. But, presumably, the reason that the island was so forbidden in the first place is because it’s rapidly sinking into the sea, or at least it has a tendency to do so when explorers try to take its treasure. Damn.

IMG_0531_Fotor.jpgOne of the mechanics that you might be familiar with is the ‘Waters Rise!’ card. These are like the outbreak cards in Pandemic, but you have an outbreak of water instead of an outbreak of, you know, diseases. The cards are hidden among all of the treasure and bonus cards that you’ll be collecting at the end of each turn, which you’ll need a certain amount of to be able to find treasures. (Just like you’ll need a certain amount of cards to research a cure in… what’s that game again? Pandemic.)

Also at the end of each turn you’ll need to draw cards which list places on the island, and the corresponding places that you pick will either start to flood or completely go underwater and get removed from the game. You need to particularly hope not to lose Fool’s Landing (nobody’s arguing against the idea that the explorers are fools) where you ultimately need to escape via helicopter, since losing that means you’ll lose the game. There are also only two tiles on each island where you can find each particular treasure, so if both of those are lost before you’ve actually collected the treasure from it then that’s also a big fat LOSE.

One more way to lose the game is, as you’d expect, drowning. If you’re on an island tile that gets completely lost then you can hurriedly swim to a nearby tile, no problem. If all of the adjacent tiles have already gone? Then I’m afraid that this is the end of your adventure, traveller.

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The difference between an area and a flooded area is, as it turns out, just that everything turns blue.

It’s a little unclear in terms of the plot why everyone needs to survive for the team to win. Perhaps the adventurers have a very limited but strong sense of morality. The game is a beautiful tale of human greed, but not between the players. Should we travel to this forbidden island? Yeah, fuck the rules! Steal this treasure? Try and stop me! Let the sea swallow up this beautiful island? Why not. But leave one of your friends behind? NEVER!!

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Aptly named

The whole game has a great rushed, panicked feeling about it, as it should. The further into the game you are, the quicker everything seems to move, as getting through more ‘Waters Rise’ cards means that the island starts to flood quicker and quicker. And for every island tile that gets removed from the game, the corresponding card gets removed as well, so you’ll suddenly find yourself having a very small deck and a very small island, practically drawing the entire deck every turn by the end of the game.

To make things seem even more desperate, a player only gets two actions per turn.* Which, by the way, is phrased unhelpfully as “Up to 3”. Up to, but not including. The amount of times that we forgot this as we were planning in our first game is … a number high enough to be embarrassed by.

IMG_0526_FotorOne of the actions you can do is to try to stop the island from going completely under before you’ve high-tailed it off with the treasures. The action is to flip a slightly soggy land-tile so that it becomes dry land again, and the action is called ‘Shore Up’, but it’s a little bit thematically unclear what you’re actually doing. We think there might be a lot of mopping involved. But the amount of mopping you get to do versus the rate at which the island is going under is pretty heavily tipped in favour of the sea. As such, this part of the game tends to feel a little bit like one of those cartoons where a poor cabin boy is using a tiny bucket to chuck the water over the ship and back out to sea, even when water is crashing in around him faster than he could ever bail it out.

The game is fun, and it’s not yet one that we’ve mastered. We’ve only won once on ‘novice’ level so far, and we’re not convinced that we’d have done so well if the difficulty was raised at all higher.

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Er, we’re running out of island very fast, you guys!

Some of the roles that you get to pick seem to be a bit pants compared to some of the others. But perhaps that depends on how you play. Also, this might just be an excuse we’re all throwing out for why we’ve lost so often. (I’m sure if we’d been playing with [insert any other role here] then we’d have won that game… *cough*)

We’ve also been on a bit about how similar some of the mechanics are to certain other games, so does it have an advantage? Well, it doesn’t have a legacy version for you to drool over, and the simpler rules do mean that there’s a bit less of a feel for strategy than a lot of games can offer. But it’s not all bad! The theme is good and you can get into character just a little. And the simplicity is in some ways a good thing- not just so that the rules are a bit easier for kids to pick up but also because it means the game moves really quickly, and it can achieve the desperate panicked atmosphere that it’s aiming for.

The real winner is not the island, nor the treasure, and certainly not us. It’s board games.

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Bonus picture

Edit: *It has come to my attention, thanks to the ever-wise Mac in the comments, that there’s a discussion on BGG about the actions. Consensus on the small thread appears to be that they do mean three actions rather than two, but now we’re not sure what to believe. Have we just been extra-hardcore this entire time? The only thing that everyone can agree on is the confusing nature of the wording. 

You may take up to 3 actions each turn (could be 0, 1, or 2).

CAN WE TAKE THREE ACTIONS OR NOT??

*flips island*

Liguria: Pimp my Cathedral

Pairs well with: Grog for your long sea voyage.
Traitor Rating: 2/10 daggers in the back.

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Board-gamers are a picky lot. Contrary to popular belief, when presented with a game which has a tonne of bright colours, a million pieces, and a theme along the lines of ‘the ultimate zombie werewolf death match apocalypse’, they do not get so excited they hyperventilate. What actually happens is that they take one look at the box and think ‘I’m not four’, ‘Please stop trying so hard’, or ‘for the love of God, pitching monsters against one another and using that many adjectives doesn’t make a game good, invest some of that energy into the actual game’.*

What a lot of people don’t understand is that board-gamers like dry, intricate and deeply boring themes. Euro-themes. Agriculture and shipping. Because that is what makes a really great game: enough theme to feel involved and immersed in a different environment, but enough structure and room for strategy to feel satisfying. An unfortunate by-product of this is that when we try and describe a very good game to someone else, it always winds up sounding like the most tedious thing in the universe.

‘Hey, have you played Paper Mills of Liechtenstein yet? No? You really should, it’s about working in a paper mill where you need to make sure the colour and consistency of the paper pulp is exactly right.’

Or,

‘Ermeghherdd I just played Sacrificial Canaries! I am totally the best at loading pieces of tin onto a cart and then getting a horse to pull it up the mine shaft. It only took three hours, it was amazing.’

Liguria falls into this category. It’s a game about paint samples and financial planning. You go travelling from port to port collecting different coloured paints, which you then bring back to your own port in order to paint your cathedral. But trust us guys, it’s a great game.

‘Have you realised that re-painting a cathedral in 16th century Italy would probably have the modern equivalent of Pimp my Cathedral… I would probably watch that.’

Each player represents a port, and has their own ship. During12268901_10156309277145085_1530353084_o_Fotor a turn tiles will be selected at random from a bag and placed in a line in the centre. The players then have the option of selecting how many of the tiles they want to pick. The fewer tiles you opt to pick up means the closer to the beginning of the turn order you will be when resolving actions, and so will be more likely to get a good pick.

The layout has a little port and boat in front of each player, and all of the players sitting in a little circle, connecting it up. This is actually a pretty damn nifty alternative to the usual method of, you know, just sharing a board. You get to sail your little boat around your little circle of friends and it means you can be pretty flexible with table-space. More importantly, it means you can have fun pretending to be a bit of a child and sailing your boat along the table and making noises.

“CHOO CHOO!”
“That’s not a boat noise, Lizzy.”
“You can’t tell me what to do!”

The boats also have that really pleasant double-cardboard kind of makeup, where you can fit little cubes neatly inside them. What’s not to love?

CHOO CHOO
CHOO CHOO

The tiles have a number of different icons: buildings, churches, daggers, paint contracts, scrolls, collection bags and helms. Most of the tiles you build in your town (your board) and provide you with a range of benefits: buildings provide victory points, helms provide an extra movement to your ship etc.

The idea is to build up a good range of tiles which help you to get the most paint. You will only receive victory points for paint if you have a tile asking for certain types. It’s all about the paint, man.

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‘I don’t understand it, there are only three types of paint colour in this game but I’ve still managed to collect only blues and can’t fulfil any of my paint contracts. What is this? Why am I so bad at paint?’

‘Our ports must have some serious artists living in them because I’m pretty sure even Michelangelo couldn’t paint a cathedral with only three primary colours and make it look like a 3 year old child hasn’t gotten carried away with some marker pens’

dsc_0418_FotorAfter the tile selection phase there is a card phase. Each turn, three cards are laid out which will have a number at the top, and an action below. In most cases the action will be something similar to ‘three boat movements’ or an anchor which allows the boat to stop and start. The number at the top of the card is important because you’ll be adding all of these at the end of the game. Some are negative, some are positive, and if at the end of the game you end up with a total that is negative you will immediately lose a whole bunch of victory points. It’s kinda brutal.

Sure does teach you how to manage your finances in real life better though.

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The final stage of a turn is where players may move their boats and pick up paint. There are several islands scattered between the ports and these offer temping treats such as extra paint and victory points. Once you dock at another player’s port you collect as much paint as your boat allows and then sail back to drop it off at your own. Unlike other shipping games like Puerto Rico and Le Havre your boat can stay out as long as it wants instead of having to return in the same turn. This gives the game more of an authentic feel sailing from place to place in a long sea voyage that eventually results in returning home with a butt-load of paint.

Conspiring to win
Conspiring to win

The turn begins again by drawing and laying the tiles. The game ends when the tiles run out. Simple. Go and paint your cathedral, kids.

Another thing worth mentioning is some different strategies – in this game it is not, in fact, actually all about the paint. This is fortunate because a lot of our friends are Warhammer 40K-obsessed nerds who could bring more paint to the table than you’d need to cover a fleet of cathedrals – we wouldn’t stand a chance.

Scrolls, for example, add an interesting diplomacy twist: when a player docks at another’s port they may place a scroll tile on any track of that player’s board. That means at the end of the game the player who owns the scrolls gets 2 victory points per tile in that track.

I'm here to steal all of your hard earned points. Thanks bye.
I’m here to steal all of your hard earned points. Thanks bye.

Briony has basically mastered this game, and instead of collecting paint she simply swans about collecting scrolls then sails from port to port being incredibly diplomatic and partaking in everyone else’s victory points at the end of the game.

Lizzy, on the other hand, wiped the cathedral floor with everyone in the first game just by getting highly into the building-points game. Ka-pow!

We haven’t met anyone who hasn’t liked this game. It was actually the first game we played at Essen, chosen only because as everyone streams into the hall for the first time there is a manic rush to sit at the nearest game and play it. We thought that Queen Games would provide us with some good reliable fun, and it did! Liguria was just suitably close to the door and we got to experience paint like never before. Excellent work all round.

Un-pimped cathedral
Un-pimped cathedral

The fact that the game is pretty relaxing and not stressful at all is another thing it has in its favour compared to other similar games.** Ship some paint, have a nice time. Shh, shh, just don’t think about having a load of cards with negative numbers, you’ve still got time to sort that out.

At the end of the day, or indeed your long sea voyage, you can take comfort in the fact that however badly your game has gone your cathedral will get painted and the citizens of your town will be all the happier for it.

*This is such a persistent problem that sometimes we’ll see a game and be so put off by the theme that we won’t give it a solid chance. The Possession is basically Evil Dead in game form and at first appears to rely heavily on gumpf like zombies and girls who look like they belong in The Ring, but is actually a solid, well-balanced game with some unique features and clever mechanics.

** Bob’s friendly robot boyfriend found it incredibly stressful, but then he is terrible at financial planning.