Roll for the Galaxy: I’ll show you my dice if you show me yours

Pairs well with: The tears of your alien enemies.
Traitor Rating: 3/10. You’d need a very long dick to stick it in someone’s ear from all the way across the galaxy.

rgg492

Bob’s friendly robot boyfriend is on a quest. It’s not a noble, or spiritual, or self-sacrificing quest, but it is a quest nonetheless. His aim? To boldly seek out and possess ALL the board games. All of them.* From ancient, dusty copies of DnD and Buck Rogers: Battle for the 25th Century to limited-release Kickstarter editions of next year’s big hits, Chris**has amassed some serious plastic and cardboard. As long as it’s not Monopoly, it’s worth a try.

A game increases highly in his estimation if it can be comfortably adapted for two players. Whether this is due to a keen desire to share a hobby with Bob, or simply to play board games without all the bother of inviting friends and changing out of pyjamas, is unclear. The result is the same. More games!

Unfortunately, he is also better at most games than Bob, and she does not like losing. This results in an unfortunate paradox of Bob liking a game and wanting to play it but also hating it and Chris and you and everything else.

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If Lizzy were here, these dice would be ordered by rainbow.

Latest in the series of paradox-games is Roll for the Galaxy. Released in 2015 it has received some well-deserved love on SU&SD and Reddit. It scales extremely well, which means that when Bob has gotten sick of losing at it to Chris she can lose at it to any number of additional people. It’s a worker-placing, dice-rolling, tile-laying space quest. If you, like Briony, have dice-anxiety, look away now. This is not the game for you.

R4tG looks pretty inauspicious. Apart from an intriguing Cloth Bag Full of Stuff and a rainbow cascade of dice, it looks a bit… dry. It’s a well-known fact that early Bob-game engagement correlates strongly with the level of illustration or model adorableness. This game carries a worryingly low rate of adorableness. There are several shades of grey in the artwork. The pictograms have the scent of the GCSE maths textbook about them. The cheat sheets are dauntingly dense, and the game phases/actions are reliant on each other in a way which makes for solid play but a hideously confusing rules explanation. There’s always one person who gets confused about how production and shipping work, which is reasonable because they work in an annoying way. Once you get past that though, it’s worth it. Trust us.

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Roll for the Galaxy: More fun than it looks.

You start by rolling a nice fat cup of dice.

Your dice are your workers, and depending on their results you can try to put them to work doing different things. They can explore, which will either yield new worlds and developments for you to conquer, or earn you a few straight-up dollars; contribute to developments, which will earn you victory points at the end of the game as well as having in-game benefits; contribute to settling new worlds, which work in much the same way as developments but they’re planets; produce goods on settled planets;  and finally ship goods from settled planets back home to your grateful citizenry yielding either money or victory points. Exhausted workers (spent dice) return to the citizenry (dice pool) but can be re-hired with cold hard cash. Bafflingly, these workers are happy to be employed at a rate of a dollar each. We don’t know the exchange rate of space-dollars to pounds sterling but that still seems a bit cheap.

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Today we are exploring.

Developments and worlds take the form of tiles, drawn blind from the big cloth bag when taking the ‘explore’ action. The game creators definitely subscribe to the ‘you can make anything sci-fi by giving it a space-y adjective’ school of thought. Thus your empire will very quickly become populated with a Galactic Market, Tourist World, Space Theme Park, etc. Once you have earned your tiles, you place them in your galactic empire. Some worlds and developments synergise particularly well, some earn stacks of victory points or dollar, and some add new and brightly-coloured alien species dice to your hireable citizenry. Because clearly different alien species are better at different jobs, the ratio of results will vary on different colours of dice. You wouldn’t hire space pirates to farm plant genes would you? That would be ridiculous. Space pirates are obviously better at invading settling new planets, so they have corresponding dice faces.

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‘Hello and welcome to Space Town’

The game ends when the pool of victory point tokens runs out, or when a player places their twelfth tile. This means that playing becomes a balancing act of conquering planets as quickly and efficiently as possible without compromising on valuable end-game victory points. Even a perfect strategy, however, can be undone by an unlucky dice roll or a succession of poor exploration-draws. This is fairly unlikely as R4tG has several clever balancing mechanics built in (exploring, for example, becomes more efficient the more tiles you have previously drawn) but might make the whole thing a little too luck-based for some.

If this all sounds a little bit too straightforward and insular for you, dear reader, it’s P1030023
because we’ve left out an important bit. There is more here than just ‘get tiles, place tiles, put workers on tiles to gain tile effects.’ See, each time you roll out your dice and try to figure out how best to make them work, you can only instigate one of the five actions. This is inefficient and sad. Luckily you may also place further workers in reserve for the other actions. All of this is done behind a handy screen. When dice are revealed (simultaneously) you will be able to not only perform the action that you have chosen, but the actions that your opponents have chosen will also apply to your relevant reserve dice.

Got that?

No?

See this is why we don’t normally go too deeply into the rules of a game. Some mechanics which are reasonably straightforward in play are a nightmare to explain. It’s much more fun to make sarcastic quips about speciesism in intergalactic politics.

P1030029Simply, your hidden worker-placement decisions affect what your opponents are able to do and vice versa. The upshot is that you make some choices by predicting your opponents’ strategy. The galaxies laid out in front of your frenemies are absolutely not hidden information, so a good peeping should at least give a hint as to their intentions, if not the results of their dice-rolls.

Ultimately like so many good games it’s all about efficiency. And good worker management. And dice.

 


 

*Well, the good ones at least.

**Whose own, sadly on-hiatus board game blog you can find at 4vp.tumblr.com

Liguria: Pimp my Cathedral

Pairs well with: Grog for your long sea voyage.
Traitor Rating: 2/10 daggers in the back.

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Board-gamers are a picky lot. Contrary to popular belief, when presented with a game which has a tonne of bright colours, a million pieces, and a theme along the lines of ‘the ultimate zombie werewolf death match apocalypse’, they do not get so excited they hyperventilate. What actually happens is that they take one look at the box and think ‘I’m not four’, ‘Please stop trying so hard’, or ‘for the love of God, pitching monsters against one another and using that many adjectives doesn’t make a game good, invest some of that energy into the actual game’.*

What a lot of people don’t understand is that board-gamers like dry, intricate and deeply boring themes. Euro-themes. Agriculture and shipping. Because that is what makes a really great game: enough theme to feel involved and immersed in a different environment, but enough structure and room for strategy to feel satisfying. An unfortunate by-product of this is that when we try and describe a very good game to someone else, it always winds up sounding like the most tedious thing in the universe.

‘Hey, have you played Paper Mills of Liechtenstein yet? No? You really should, it’s about working in a paper mill where you need to make sure the colour and consistency of the paper pulp is exactly right.’

Or,

‘Ermeghherdd I just played Sacrificial Canaries! I am totally the best at loading pieces of tin onto a cart and then getting a horse to pull it up the mine shaft. It only took three hours, it was amazing.’

Liguria falls into this category. It’s a game about paint samples and financial planning. You go travelling from port to port collecting different coloured paints, which you then bring back to your own port in order to paint your cathedral. But trust us guys, it’s a great game.

‘Have you realised that re-painting a cathedral in 16th century Italy would probably have the modern equivalent of Pimp my Cathedral… I would probably watch that.’

Each player represents a port, and has their own ship. During12268901_10156309277145085_1530353084_o_Fotor a turn tiles will be selected at random from a bag and placed in a line in the centre. The players then have the option of selecting how many of the tiles they want to pick. The fewer tiles you opt to pick up means the closer to the beginning of the turn order you will be when resolving actions, and so will be more likely to get a good pick.

The layout has a little port and boat in front of each player, and all of the players sitting in a little circle, connecting it up. This is actually a pretty damn nifty alternative to the usual method of, you know, just sharing a board. You get to sail your little boat around your little circle of friends and it means you can be pretty flexible with table-space. More importantly, it means you can have fun pretending to be a bit of a child and sailing your boat along the table and making noises.

“CHOO CHOO!”
“That’s not a boat noise, Lizzy.”
“You can’t tell me what to do!”

The boats also have that really pleasant double-cardboard kind of makeup, where you can fit little cubes neatly inside them. What’s not to love?

CHOO CHOO
CHOO CHOO

The tiles have a number of different icons: buildings, churches, daggers, paint contracts, scrolls, collection bags and helms. Most of the tiles you build in your town (your board) and provide you with a range of benefits: buildings provide victory points, helms provide an extra movement to your ship etc.

The idea is to build up a good range of tiles which help you to get the most paint. You will only receive victory points for paint if you have a tile asking for certain types. It’s all about the paint, man.

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‘I don’t understand it, there are only three types of paint colour in this game but I’ve still managed to collect only blues and can’t fulfil any of my paint contracts. What is this? Why am I so bad at paint?’

‘Our ports must have some serious artists living in them because I’m pretty sure even Michelangelo couldn’t paint a cathedral with only three primary colours and make it look like a 3 year old child hasn’t gotten carried away with some marker pens’

dsc_0418_FotorAfter the tile selection phase there is a card phase. Each turn, three cards are laid out which will have a number at the top, and an action below. In most cases the action will be something similar to ‘three boat movements’ or an anchor which allows the boat to stop and start. The number at the top of the card is important because you’ll be adding all of these at the end of the game. Some are negative, some are positive, and if at the end of the game you end up with a total that is negative you will immediately lose a whole bunch of victory points. It’s kinda brutal.

Sure does teach you how to manage your finances in real life better though.

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The final stage of a turn is where players may move their boats and pick up paint. There are several islands scattered between the ports and these offer temping treats such as extra paint and victory points. Once you dock at another player’s port you collect as much paint as your boat allows and then sail back to drop it off at your own. Unlike other shipping games like Puerto Rico and Le Havre your boat can stay out as long as it wants instead of having to return in the same turn. This gives the game more of an authentic feel sailing from place to place in a long sea voyage that eventually results in returning home with a butt-load of paint.

Conspiring to win
Conspiring to win

The turn begins again by drawing and laying the tiles. The game ends when the tiles run out. Simple. Go and paint your cathedral, kids.

Another thing worth mentioning is some different strategies – in this game it is not, in fact, actually all about the paint. This is fortunate because a lot of our friends are Warhammer 40K-obsessed nerds who could bring more paint to the table than you’d need to cover a fleet of cathedrals – we wouldn’t stand a chance.

Scrolls, for example, add an interesting diplomacy twist: when a player docks at another’s port they may place a scroll tile on any track of that player’s board. That means at the end of the game the player who owns the scrolls gets 2 victory points per tile in that track.

I'm here to steal all of your hard earned points. Thanks bye.
I’m here to steal all of your hard earned points. Thanks bye.

Briony has basically mastered this game, and instead of collecting paint she simply swans about collecting scrolls then sails from port to port being incredibly diplomatic and partaking in everyone else’s victory points at the end of the game.

Lizzy, on the other hand, wiped the cathedral floor with everyone in the first game just by getting highly into the building-points game. Ka-pow!

We haven’t met anyone who hasn’t liked this game. It was actually the first game we played at Essen, chosen only because as everyone streams into the hall for the first time there is a manic rush to sit at the nearest game and play it. We thought that Queen Games would provide us with some good reliable fun, and it did! Liguria was just suitably close to the door and we got to experience paint like never before. Excellent work all round.

Un-pimped cathedral
Un-pimped cathedral

The fact that the game is pretty relaxing and not stressful at all is another thing it has in its favour compared to other similar games.** Ship some paint, have a nice time. Shh, shh, just don’t think about having a load of cards with negative numbers, you’ve still got time to sort that out.

At the end of the day, or indeed your long sea voyage, you can take comfort in the fact that however badly your game has gone your cathedral will get painted and the citizens of your town will be all the happier for it.

*This is such a persistent problem that sometimes we’ll see a game and be so put off by the theme that we won’t give it a solid chance. The Possession is basically Evil Dead in game form and at first appears to rely heavily on gumpf like zombies and girls who look like they belong in The Ring, but is actually a solid, well-balanced game with some unique features and clever mechanics.

** Bob’s friendly robot boyfriend found it incredibly stressful, but then he is terrible at financial planning.